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In our Eventide H9 Harmonizer review, you’ll find out if the H9 is the best multi-effects pedal/processor available. One thing is for sure, if any company can execute such a product successfully, Eventide certainly has the knowhow and experience to do so. There’s been a lot of hype surrounding the H9 since its unveiling, and everyone wants to know if it lives up to its lofty expectations. Eventide have been using the tagline “Stompbox Re-thunk” in their association with the H9, and they’re certainly pushing farther into the digital frontier than any other company has before. The H9 Harmonizer is one of the most ambitious undertakings in the history of guitar effects processing.
#Eventide h910 harmonizer & 2016 stereo room price download#
And of course the ability to audition and download new algorithms and their accompanying preset banks through H9 Control ensures that there will be plenty of expanded playability and features for years to come. This offers an unprecedented level of control over creating and organizing presets as well allowing for some interesting real-time control possibilities via touch-screen.
#Eventide h910 harmonizer & 2016 stereo room price full#
While the incredibly wide range of sound-shaping possibilities the H9 offers is impressive, the most interesting aspect of the Eventide H9 Harmonizer is its full integration with Apple’s iOS and various touch-screen devices including the iPod Touch, iPhone, and iPad via the H9 Control App.
#Eventide h910 harmonizer & 2016 stereo room price series#
The H9 delivers 8 of the most popular algorithms from their Factor series and Space pedals, 2 from each pedal, and also comes with 2 algorithms exclusive to the H9, UltraTap and Resonator (UltraTap is pre-installed, Resonator is available upon downloading the latest version of the H9 Control app for iOS), for a total of 10 different algorithms covering the range of delay, reverb, modulation, pitch-shifting, and several unique combinations that you won’t find anywhere else. Compared to the Factor and Space pedals, the H9 is shockingly minimal with just 2 footswitches, one giant knob/button flanked by a few more tiny buttons, and a much smaller footprint than its predecessors. And like an alien artifact, it packs unimaginable power within.
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The H9 has an immediate eye-catching effect with it’s sci-fi relic exterior gleaming with a glossy white glow. Now they’re set to revolutionize the way the world thinks about effects all over again with the H9. With their entry into pedal based effects processing, Eventide went from being a renowned studio recording heavyweight to one of the world leaders in stompbox effects in only a few short years. The Space stompbox continued with some of the finest reverb algorithms available in any format.Īnd thus concludes the pre-H9 era. Then came the PitchFactor Harmonizer Stompbox which gave gigging guitarists access to classic and contemporary pitch shifting without the need to lug around thousands of dollars worth of rack gear.
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Fast forward to the 21st century, and Eventide finally brought their legendary studio quality effects to the guitar playing masses with the release of the TimeFactor and ModFactor Stompbox delay and modulation guitar pedals. Their innovation continued with the release of such gems as the H3000 Harmonizer in the late 80’s which many guitarists may recognize for its appearance on Steve Vai’s Ballerina 12/24 from Passion and Warfare. Reviewed by: Gabriel TanakaRating:5On November 21, 2013Last modified: October 6, 2016Įventide has come a long way since pioneering pitch shifting in the 1970’s with their first Harmonizer rack units, the most famous being the H910 and H949.
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